| Areas
of research interest include the history and theory of site-specific practices,
sound art, spatial and contextual art practices; sonic cultures; listening
and subjectivity; voice, paralinguistic behavior and the choreography of
the mouth; history and theory of installation strategies, experimental architectures,
and spatial urbanism; contemporary politics and questions of collectivity
(the commons); aesthetics and politics of invisibility (haunting, immateriality,
counter-politics); and male identity and the clownesque. |
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