The
work functions to supplement a live performance through prepared seating.
Ten chairs are placed on wheels and each fitted with a loudspeaker. These
are connected to the live presentation of sound by a performing artist.
In addition, live-motion-tracking is used to process the sound in real-time,
presenting an altered version of the performance. The work is a live appropriation
and parasitic modification of the “concert”, allowing visitors
to participate and alter the performance: by using the chairs, visitors
reshape the listening experience, changing and relocating the sounds by
their movements.
In collaboration
with Ken Ehrlich.
Performed
at FA Projects, London
September,
2006 |
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